Easy and effective drawing exercise routine. Developing your drawing works doesn’t need hours and moments of stretching out the sketchbook pages. Just 15 minutes of concentrated practice per day can help you advance your technique over time and boost your confidence. And it will keep you in shape when you’re too full for longer. This program can be an extra activity to your regular drawing habit, perhaps used as a warm-up. Or it may be the only method you have for a while if you don’t have time for something more complex like lotus drawing.
If you follow these actions every time, you will notice that you will become faster, more precise, and, above all, more confident in your approaches. You will have more control over your hands, eyes, and drawing tools, and this will help you a number in your more detailed drawing gatherings. Here is a summary of this article for you to download in case you want to print it.
The dreaded 30%
It is a common mistake that you should have your game at all times. But anything worth holding requires making an effort to acquire the necessary skills to improve it. And action can take, well, steps. I like to believe in it in 70/30 terms (yes, like the 70/30 composition rule, if that helps you learn). Your art should take you at most limited 70% pure joy. The remaining 30% is negotiable.
This 30% might include doing some “boring” shape-repeating exercises, so you can learn to draw your circles and straight lines correctly. Or it could mean drawing for a few minutes when you’re busy or not in the spirit, just so your fingers and eyes don’t overlook how to make it. Don’t worry. 70% joy will always make up for 30% sadness.
Repetition is the mother of skill.
The guitarists have to practice their chords. The dancers have to repeat their turns. And cartoonists, both professionals, and amateurs need to practice their strokes and shapes. There are some super easy tasks that you have to return repeatedly until they become flesh memory and second generation. And then it keeps repeating them, so it stays that way.
It includes standard features, such as scratching or scribbling, and some shapes that you will probably need regularly in your sketches. You wouldn’t think how many circles you find during the day or how hard it takes to understand that aspect.
You can also break up these exercises and do two minutes here and there. Setting for the pot to cook or the commercial break during your favorite TV show are significant situations where you can get out that sketchbook and get in your 15-minute exercise for the day.
Stay fit when you’re busy.
We don’t ever have the opportunity or potential for an extensive drawing session, even with the most excellent plans. Sometimes we come home late and are tired from work. Or we are just not in the mood for something complicated. But, like games, drawing is a sport that needs constant practice to keep your current skill level and progress. A couple of weeks off will always bring you back. 15 minutes of this routine while the dough is simmering, and you’ve done more (and more effective) than many other hobbyists.
The first shot of the day
While various drawing styles and techniques exist, several standard strokes should be part of every cartoonist’s repertoire. It includes his hatches, of course, and his dots, squiggles, and chicken scratches. I like to compare the practice of your strokes with the repetition of vocabulary. If you are learning a new language, you usually start with a few common words that you can later build simple sentences with.
It is the same with injections. They are the vocabulary of an artist and what makes up your drawings. Practice them regularly, repeatedly, and they will become second nature. The goal is to use them naturally, automatically when drawing, without having to stop to think. Get them ingrained in your mind and muscles. And for that, you have to practice them, over and over again.
The second shot of the day
And because punches are so important, we’ll spend another two minutes on that. Choose the second type of stroke and repeat the previous exercise. Focus on it in the time you have, vary it, and play with it. Find out what you can do and what you can do with it. Believe me on this, even if you think you’ll never use a particular trait in its work, if you’ve mastered it, one day, it will automatically appear there. And a variety of strokes can make his job that much more enjoyable.
I never liked plucking before starting these exercises, mainly because I only considered it as drawings made entirely with this technique. But I practiced it anyway, and now I use the stroke in almost all the sketches to give more texture and interest to certain areas.
Combine the strokes
Now that you’ve just practiced two different strokes and how to vary them to create other effects, it’s an excellent time to see what happens when you combine them. Variety makes a more exciting sketch, and one way to get type is to connect and overlap different strokes. Remember, as stated above, to vary the way you draw your strokes as well.
Form of the day
This essential exercise can be done quite well while doing something else more interesting. I tend to practice it while watching TV or chatting with my friends. Regular readers will know from my post 12 simple warm-up exercises that will transform your drawing practice. It doesn’t need much explanation. All you have to make is like a shape, be it lines, and circles, ellipses, rectangles, or whatever you have, and draw it repeatedly in the two minutes you have.
The plot of the day
We are inundated by many forms every day, from broken rock to soften minerals to layered foliage. Some of them are more comfortable drawing than others. And prepare you to know what a repertoire of other hits is for? You guessed it: create a repertoire of different textures. You can try styling that fluffy sheepskin rug you love so much, your wool sweater, or the clouds in the sky.
So the next time you draw something like this, you will have a good idea of what types of strokes might work best. Having a good drawing session is much easier when you already know how to tackle specific patterns. Don’t worry if you come across a story that you can’t get across in those two minutes. Come back one more time. The longer you follow your boxes, the more natural this exercise will become.
I know it is not the most exciting topic, but it is one of the most useful. All you need is a shape-shifting pillow, so nothing too stiff. Feather pillows work well, or you can take a cheap sofa pillow and remove some of the fillings to make it more flexible. Ideally, it will be all white or any other solid color, as patterns can distract this exercise. Just place the pillow in front of you as you like and design it. Get close to this the easy way.
Just outline, fold and shade a bit as you only have two minutes. The extensive information about pillows is that they have a simple overall shape, but they will be slightly different each time you move them because the interior will rearrange. Alternatively, you can use a towel or scarf.
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